Quilt Judging

It’s Winter here in NZ, so I’ll just start by describing the weather. Gross. Howling easterly wind, which blows straight in off the sea and moans in the chimney and makes me NOT want to go outside. Of course, that’s not great for my physical exercise and I also happen to have a puppy to look after at the moment. The more time he spends outside, the less chance he has to have an accident on the carpet, right? How many times a day should a nine week old puppy pee? He really seems to have an overactive bladder…

But enough of the weather and puppies. Let’s get into some quilt stuff. A few days ago I came back from judging the Canterbury Patchwork and Quilting Guild’s exhibition and, of course, I had a wonderful time while I was there.

I awarded my judges prize to Julie Devlin’s quilt “Spinning” made entirely of recycled fabrics. I like to award my judge’s prize to a quilt I would happily take home, and this was it!

It’s such an honour to be entrusted to judge a show. Quilters put their hearts and souls into creating their work and it takes bravery to put them out into the world for everyone to see, and then another level of bravery to accept them being judged. But please know that judges take their jobs very seriously. We are quilters too and know that a thoughtless comment can linger in our creative hearts for years.

I was part of a team of three judges; two of us very experienced quilters and one a local mixed media artist and teacher. Great to have a pair of eyes from outside the quilting sphere with oodles of artistic and creative experience. We worked from 9.30am till about 3.30pm with a short break for tea and lunch. And we worked! Judging is always slightly different depending how people have set up their shows, categories and awards. We started with a walk through seperately to get a feel for the quilts and maybe mark our sheets for any that were immediate possibilities for one category or another. We were not asked to appraise each quilt seperately and provide comments so we began with some of the smaller groups, such as the guild challenge, the 3D award etc. We gradually worked our way up to the larger categories, where we had more choices to work through. I did 10.000 steps just going backwards and forwards and around and around the quilts to compare them, as we were judging them already hanging in their places for the exhibition.

In the end, our Best in Show winner was a quilt titled ‘Experiencing Epilepsy’ by Daena Schofield. Not a large quilt, but from a distance it still had a very clear impact. The form of the female head stood out clearly from the slightly chaotic background and the tilt of the imagery suggested sadness or depression. As you came closer in to view the quilt, the brain image became clearer and then the heavy jagged, metallic stitching line through the brain became evident. I appreciate a quilt that draws you in and reveals further details on closer inspection. The background piecing and the foreground image together had a very strong impact of chaos, depression, sadness or being ‘weighed down’. We all got a strong sense of the world today with war, pandemics, politics, and environmental concerns. Then the artist statement about how Daena feels when she expereinces an epileptic episode put it all together.

Experiencing Epilepsy by Daena Schofield.

The use of strong colours across the quilt helped convey the message, but was also cleverly done, with it being non-uniform and small pops of the purple in the red area and vice versa. The female silhouette had enough tonal difference to stand out nicely from the background, which seemed important for the message this quilt was conveying. The slight variation in the colours and texture of the dark fabric stopped the silhouette from being flat.

However, a quilt cannot be a best in show with just the imagery. We were pleased to see that the workmanship of this quilt was of a very high standard. The quilting, done by Daena on a domestic machine, was neat and even and complemented the quilt. The quilt was finished with a facing, which was tidily done and also appropriate to the quilt. It hung square and flat on the wall. Congratulations to Daena for winning Best Art Quilt and Best in Show.

The overall show was a delight to view. It can be very difficult with guild shows to find the perfect venue, but this one did quite well. Every quilt had space around it and wasn’t crowded. There was plenty of room to move and to stand back and view the quilts. The lighting was pretty good, with only a few dark corners. And the quilts were wonderful!

There was a good variety of quilt styles and sizes. It was interesting to see how many hand quilted pieces there were, which may be a product of having a specific hand-quilting award. However, the wording of the award was for traditional, fine hand-quilting, so that disadvantaged some of the lovely big-stitch work we saw with heavy thread. The guild challenge was well represented and we really had to get nit-picky about the theme quote, and the encouragment to use embellishments.

I have heard many people say, “Oh, I couldn’t put my work in a show that will be judged, I’m not good enough, I won’t win anything.” Which makes me a little sad. How will we have amazing quilt shows to visit if no one puts their work in? So I was particularly pleased to see how many first-time entrants there were, perhaps also a product of having a specific award for this. So well done, you have given joy to others by allowing them the privilege of viewing your hard work!

First time entrant winner Lucy Eaton with her lovely quilt “Nothing Rhymes with Orange”

Quilters often want judges to give comments on what can be improved. I always start with a reminder to pay attention to the details. Good workmanship is good workmanship, not matter whether you are making a traditional quilt, a modern quilt or a piece of textile art. Neat stitches, nice point-matching, excellent finishers whether it be bindings or facings, tidy quilting starts and stops, these will all be looked at closely if two quilts are being compared and considered against each other for a top award.

But if you are making a quilt with the hope of winning an award (and that’s an important distinction to make, many people are just making for the joy of making without any intention of trying to win) then you might like to start by thinking through how you will make an impact. How will you initially catch the eye, and then how will you draw the viewer in to view all your beautiful work? That first impression REALLY does count. But then you also need to be able to back it up with good details and great workmanship

If having your quilt judged does worry you, the important thing to remember is that it isn’t you being judged. You are still a wonderful person! No matter whether you are a beginner or have been making quilts for years and years, there will always be something to learn from every single quilt you make, and keeping an open mind when reading judges comments (if the show provides them) can help you progress on your quilting journey.

Congratulations to all the winners, all the entrants, and to the Guild for putting together an excellent show.

There is a lovely article done by the Otago Daily Times on the show, you can see it here.

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New Routines

Two months has passed since we moved in to a little seaside cottage to manage a farm campground. Tomorrow is officially the first day of Winter and it’s beginning to feel like it. We are seriously thinking about finding firewood and giving our chimney a sweep. The last people to use this house said they never lit the woodburner, they felt they never needed to. But I’m a bit of a cold fish so let’s hope it does work when we need it and there are no mummified possums in there!

Our Easter campers came and went (some of them rather fast as a storm blew in) and our various family members visited, pronounced it paradise and promised to be back. So now we settle into our off-season work in running this place. Which for us, means renovating the accommodations, planting and tidying of the grounds, helping with various farm works and continuing to settle in and get things the way we like them.

I had my studio pretty much set up within a week or two of moving out here, but I keep finding more boxes that have ‘studio stuff’ written on them. With each unpacking, I find more bits that I want to find space for, or more bits to send to new homes. I’m having to have grown-up, realistic conversations with myself, “Charlotte, you’ve tried English Paper Piecing lots of times. You’ve only ever finished one quilt using the method and have plenty of other things that you enjoy more. Give those pre-cut templates to someone who will ACTUALLY use them!”

Besides continuing to unpack, we’ve managed to plant a vege garden using some raised beds and topsoil we were gifted. It feels great to have some Winter greens growing, even though they won’t be ready for a while. I’ve been casting my eyes around the property for spaces to plant fruit trees, but there is the wind and salt spray to factor in. The downside of living by the sea. Plenty of seaweed and cow manure around though!

We’ve also got into a routine with getting our daughter off to school each day. She has to get on the bus at (gulp) 6.45am, but at least it stops right outside our gate. All our bedtimes have been shunted an hour earlier, and our organisational skills are increasing when it comes to combining running errands with after school sports pickups.

All in all, life feels pretty good. It especially feels good because I’ve officially retired from being a midwife. But more on that next time…..!

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All Moved In

We have moved house and have been here just about a week now. I have been unpacking, deciding what to put where, deciding what things I now don’t need, thinking about what things I might need instead. Wondering where on earth I put that particular box of paperwork I suddenly need! I have no routine in place. I bounce from activity to activity. I don’t feel settled.

My new backyard. This place is stupidly beautiful.

So I have been just doing the things I can. Writing lists. Hanging art. Walking around, letting the place seep into me. And seriously, there is a lot of seeping to be done. I can’t get over how gorgeous this place is.

Even the farm paddocks are pretty.

Easter is fast approaching and we have quite a few campers coming to stay on the farm campground. This will be another new challenge and something else to get used to. Then we will have various relatives visiting us for the school holidays, and they’ll be a disruption too – a very welcome one, of course!

But my sewing space is mostly organised, so that is an accomplishment. Today I unpacked my (huge) box of quilt UFO’s (unfinished objects for the uninitiated) and decided on a pile of seven (!) that I want to progress solidly in the next while. That feels like a good start in putting down my artistic roots here.

How long does it take you to settle in to a new place? Do you have any rituals you do to make it feel like your own?

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Thoughts and Stitches from Charlotte’s Studio March 2022

Thoughts

Our Greymouth adventure has been and gone and is a whirlwind memory of wild stony beaches, deep green bush and lots and lots of house renovations! We spent ten months living and exploring in the South Island. We experienced real Westcoast rain, enjoyed South Island snow sports, made new friends and I saw birds I’d never seen before.

We are now back in Northland and it really did feel like a homecoming. Have you ever felt that you’ve had to leave and come back to fully realise where home is? I love the South Island, and I want to spend more time there, but now, having spent time away, I can truly acknowledge my deep ties to Northland. It really is home.

Once again, resettling is an awkward process, compounded by the fact that we may move again shortly! But not far this time. Just to one of the most beautiful beaches Northland has to offer. Hopefully in a couple of weeks time, my family becomes the new caretakers for a farm campground called Elliot’s Bay. There’s a picture of it below to whet your appetite for the sort of photos I might be able to share in future.

How do you settle in to a new place? What is your process for putting down roots and refinding your routines and creative mojo? I love the saying, ‘bloom where you are planted,’ but the reality of living that is harder than just writing it down.

Stitches

Coming back to my Northland house meant coming back to my dye studio! I have a fabulous long stainless steel bench and sink set up on my covered back deck (another thing I’ll miss when moving) and the weather, although beginning to show the first hints of Autumn, is still plenty warm for dyeing.

I’ve been working on creating a dye colour chart for myself. Lots of tedious work, but an invaluable reference. The best part about it is playing with the swatches after they are rinsed and dried. As a friend said, “It’s like all my childhood crayon box dreams come true!”

I’ve also been dyeing embroidery thread and upcycling unwanted textiles by giving them new life with dye. I really want to play my part in helping reduce our global textile waste. It’s a bit scary to know that it takes up to 2700 litres of water to make a cotton shirt, and that the volume of clothing Americans throw away each year has more than doubled in the last two decades (and I’m quite sure that extrapolates to Kiwis too.) But what a quandary, I love dyeing beautiful fabric and using it to make beautiful textile art, and I don’t want to stop! Solution – use unwanted, pre-loved textiles whenever I can. There are some beautiful cotton and linen fabrics out there just waiting to be shown a little love with a new colour.

I also want to help mindful stitchers create beautiful, conscientious work. So if you love the beauty and individuality of stitching with one-of-a-kind hand-dyed threads and fabrics, watch this space, inspiration bundles will be coming soon!

And for those of you lovely readers who don’t stitch, but who love the idea of ethical handmade textile art and utility pieces, there will be something for you too.


I must have been feeling the need for colour in my life recently. For as well as dyeing up a colourful storm, I’ve been using a rainbow in my sewing.

Below is a 55 inch (140 cm) square quilt made from one upsized log cabin block. This was a commission quilt and was fun to construct and fun to quilt. I used a different quilting pattern in each bar of the quilt and kept them quite loose and playful, to keep the quilt cuddly and to match the bright, playful colours.

Sometimes, simple really is the best.


(I’m a bit of a bird freak, so every newsletter I intend to profile one of NZ’s cool, unique, special, wondrous, fabulous birds)

This newsletter is brought to you by…

The white-faced heron or mataku moana in te reo Māori.

  • generation baby boomer
  • thinking about taking voice lessons
  • gets dressed up for the wedding season

The white-faced heron is our most common heron, despite only arriving here in the 1940’s. It self-introduced from Australia and from the 1950’s began breeding up. You will see them gracefully stalking wetlands, wet pasturelands, mudflats and shorelines, hunting for fish, crabs, insects and frogs. They’ll even take mice and lizards with their lightening fast dart and grab technique.

White-faced herons have a graceful flight but are severely lacking in the song department. Their harsh croak, usually when they are flying, is quite startling to hear if you’re not expecting it (imagine a pterodactyl.) They are beautiful birds with grey-blue feathers, white faces and yellow legs. In the photo above, this heron is in breeding plumage and you can see the long thin nuptial plumes (what a cool name!) over the back.

They like to nest in really tall trees like pines or macrocarpas and if you’ve ever seen the relatively loose platforms they make, it’s a wonder any chicks (usually two per brood) make it to adulthood instead of plunging to an early grave.

If you know my work, you’ll know they feature heavily. I see them a lot in Northland and I saw them frequently down in Greymouth too. I think I’m drawn to them because they have such a pleasing shape in both flight and resting. They fit well with a lot of my coastal or water themed work.

Below is a photo of ‘Early Morning Fishing’ (SOLD), which I’m pleased to announce has been accepted for publication in an upcoming book by Martha Sielman, executive director of Studio Art Quilt Associates, all about quilt artists inspired by birds!

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